If anything, Hoberman’s comment underestimated the seismic impact that “Schindler’s List” would have to the public imagination. Even for the kids and grandchildren of survivors — raised into awareness but starved for understanding — Spielberg’s popcorn version of the Shoah arrived with the power to do for concentration camps what “Jurassic Park” had done for dinosaurs previously the same year: It exhumed an unfathomable duration of history into a blockbuster spectacle so watchable and well-engineered that it could shrink the legacy of the entire epoch into a single eyesight, in this circumstance potentially diminishing generations of deeply personal stories along with it.
To anyone common with Shinji Ikami’s tortured psyche, however — his daddy issues and severe doubts of self-worth, in addition to the depressive anguish that compelled Shinji’s true creator to revisit the kid’s ultimate choice — Anno’s “The top of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-monitor meditation within the upside of suffering. It’s a self-portrait of the artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails.
Yang’s typically preset nevertheless unfussy gaze watches the events unfold across the backdrop of nineteen fifties and early-‘60s Taipei, a time of encroaching democratic reform when Taiwan still remained under martial legislation plus the shadow of Chinese Communism looms over all. The currents of Si’r’s soul — sullied by gang life but also stirred by a romance with Ming, the girlfriend of one of its dead leaders — feel countrywide in scale.
This sequel for the classic "we tend to be the weirdos mister" 90's movie just came out and this time, one of the witches can be a trans girl of color, played by Zoey Luna. While the film doesn't live around its predecessor, it's some enjoyable scenes and spooky surprises.
This drama explores the internal and outer lives of various LGBTQ characters dealing with repression, despair and hopelessness across generations.
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“I wasn’t trying to begin to see the future,” Tarr said. “I used to be just watching my life and showing the world from my point of view. Of course, you are able to see a great deal of shit completely; you may see humiliation in the least times; it is possible to always see a little this destruction. Every one of the people could be so stupid, choosing this kind of populist shit. They are destroying themselves along with the world — they tend not to think about their grandchildren.
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An endlessly clever exploit with the public domain, “Shakespeare in Love” regrounds the most star-crossed love story ever told by inventing a host of (very) fictional details multporn about its development that all stem from a single truth: Even the most immortal artwork is altogether human, and an item of all of the passion and nonsense that comes with that.
Even better. A testament to the power of huge ideas and bigger execution, only “The Matrix” could make us even dare to dream that we know kung fu, and would want to use it to perform nothing less than save the entire world with it.
Despite criticism for its fictionalized account of Wegener’s story as well as casting of cisgender actor Eddie Redmayne during the title role, the film was a crowd-pleaser that performed well for the box office.
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, future Golden World winner Josh O’Connor floored critics with his performance being a young gay sheep farmer in Yorkshire, England, who’s struggling with his sexuality and budding feelings for any new Romanian migrant laborer.